Posts Tagged ‘thrillers’

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Total system failure: “Terminator: Genisys”

June 28, 2015

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[NOTE: This reviews contains some spoilers, though nothing that wasn’t given away in the trailers for the film. Still, if you’re totally unspoiled about Terminator: Genisys you may want to avoid this review.]

Few things are worse today than the were in the early ‘90s: music, fashion, technology are all much, much better than in, say, 1991. If you don’t believe me, just take a wander down memory lane that is the Internet and behold that INXS-rocking, tortoiseshell glasses-wearing, Discman-listening-to moment in history and you’ll likely feel the same immense relief at being alive in this point in time as when you read an article about, say, medieval medical practices. But there is one thing the early ‘90s had over today, at least 24 years ago we could get a decent Terminator movie, as opposed to the one Hollywood just coughed up. Yep, I’ll just say it: Terminator: Genisys is even dumber than it’s title.

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Portrait of the vampire as a young impaler: “Dracula Untold”

October 19, 2014

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Dracula Untold. Wow. Just wow. I didn’t think they gave movies this mind-breakingly stupid a theatrical release. I mean, this should be embarrassedly shuffled into Redbox and VOD, while the creative team behind it change their names and go into porn to save their careers. I really didn’t think I was going to see a major studio release that made me long for the clarity and storytelling sophistication of I, Frankenstein, but there that movie is. It’s just bad. So, so bad.
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Were they out of Mr. Potato Heads? “Annabelle”

October 4, 2014

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James Wan’s supernatural horror films—Insidious, Insidious Chapter 2,  and The Conjuringare basically the cinematic equivalent of popcorn: reasonably enjoyable as distraction food, but mostly air and empty calories. Not, in other words, very substantive. Annabelle, the latest installment in the Wan franchise isn’t even directed by Wan, but instead by his cinematographer John R. Leonetti. So whatever imprimatur Wan brings to his work is now run the Xerox machine, giving us a faded copy of a not-terribly bold-faced original. Basically, this is a film so rickety that it only works if you believe two normal, sane, stable adults to would by their newborn a baby a doll that looks as it was crafted by Satan himself.
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Nicolas Cage vs. the Russian Mafia (and Bankruptcy): “Rage”

September 30, 2014

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Well, look who it is! Ha, didn’t we know that it was only a matter of time before ol’ Nicky Cage made another appearance on this blog. Kind of missed him, didn’t we? Well, here he is and he is knee deep in mystery, violence, and the deep, deep south. Because when you think Mobile, Alabama, you think Nic Cage…with his hair dyed so black it absorbs light and crushes it into a singularity or something. You also think Russian mafia, because we all know that Alabama is the Little Odessa of the South.  Got a sense of what we’re dealing with now? Because that’s what we’re dealing with in the latest Cage vehicle Rage. Okay, let’s dive right in.
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The (cough) conclusion of the trilogy: “Transformers: Dark of the Moon”

July 1, 2014

[And that brings us to the first not-terrible installment in the franchise, Transformers: Dark of the Moon.]

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I’m trying to think of some pithy intro here, but, hey, it’s the new Transformers movie. I mean, if you get trampled by an elephant and end up with a compound fracture of the femur, the doc who looks after you doesn’t drop a witty bon mot before he yanks on your foot until the bone slides back in through the flesh and then resets it, does he? I don’t really know. That’s never happened to me, but I bet he doesn’t. No, he just does it. If he’s smart he gives you a slug of whiskey first. The point I’m trying to make is,, we both know this is going to hurt. Might as well get on with it. So: Transformers: Dark of Moon. The good news is that it’s probably the best of the three movies. The bad news is, that’s a little like saying last night’s prison rape was the politest gang-sodomy you’ve ever had. The praise is indeed faint.

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Another look back: “Transformers: Rise of the Fallen”

July 1, 2014

[And here we look back at the low point in this franchise–and that’s saying something–with the execrable Transformers: Rise of the Fallen.]

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If you’ve read my review of the first Transformers movie, then you know that I didn’t love it. I thought it was loud, stupid, obnoxious, and not all that exciting. It was as if Michael Bay thought if he bludgeoned us with enough activity onscreen, he could convince us we were seeing a fun summer movie. A lot of people thought I was being too hard on what was meant to be a silly summer action movie about giant robots fighting. Kassandra the Work Wife brought up this point on several occasions, “Big robots whaling on each other. What more do you want? I don’t want to think too hard about a movie, Mr. I’m-All-Cool-Because-I-Use-My-Higher-Brain-Functions. Just eat your damn popcorn and enjoy Optimus Prime stomping Deceptacon ass, Mr. Thinkee.” The problem I have with this argument is that the classic summer movie’s that we’ve come to love were well-made­ pieces of disposable entertainment. We still recall and love them precisely because they were so well-made. Transformers was not. Quick, tell me your favorite line or scene from Raiders of the Lost Ark, Terminator 2, Escape from New York, or Die Hard. Okay, now tell me your favorite line or scene from Transformers (and none of that “One will rise; one will fall” bullshit. That was on the poster). Right, I didn’t think so. Well, the bad news is that Transformers: Revenge of the Fallen is everything the original was and much, much  more. If the first one was a cinematic pummeling, this one is the Bataan Death March.

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A look back: “Transformers”

July 1, 2014

[Since the latest in the Transformers, ah, trilogy? Series? Purgatory? Whatever. The latest Transformers movie just came out, so I figured I’d repost my original reviews…]

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“Before time began there was The Cube…”

Uh-oh.

Yet this opening voiceover was but the latest evidence that Transformers the movie and anything associated with it is simply bad, wrong, and possibly evil. Others include the Transformers logo bumper stickers that grown men have begun affixing to their cars, the chat room arguments that the robots in the movie lack the depth of personality present in the cartoon series of the mid-‘80s, and the fact that GM—a once-mighty American corporation—is using this movie to hawk their cars the way McDonalds uses Shrek to sell green milkshakes.

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